Culture
Senior in superhero outfit leaning on tree in park
(Getty Images)
Critical hit

Unlike American audiences, critics seem to have long grown tired of Marvel movies

The new “Captain America” grossed $100 million in the US, despite pretty woeful reviews.

Tom Jones, David Crowther

“Ugly and artless,” “Marvel’s rock bottom,” “the most feckless, spineless blockbuster of the last decade” — it’s fair to say that if you were of two minds about splashing out on a ticket to see “Captain America: Brave New World” over Presidents Day weekend, the critical reception might have been enough to convince you to save your cash… and yet.

The new movie, the 35th installment in the Disney-owned Marvel Cinematic Universe, seems to be building on the studio’s impressive 2024, at least if its opening weekend is anything to go by. Disney is forecasting a $100 million domestic box office gross over the extended Presidents Day weekend. If accurate, the top four highest-grossing movies for the four-day period ever would now all be from the MCU. The film is also tipped to take more than $192 million around the world on its first weekend, which is no mean feat considering the critical mauling it received prerelease.

Slop machine

Anyone who’s kept up with the blockbuster discourse on how film buffs and reviewers feel about Marvel films will be well aware of the various criticisms leveled at the productions, though things feel like they’ve escalated around some recent releases, with Vulture arguing that the Disney-owned studio is now just a “giant slop machine.” Of course, millions of us love slop, even if we pretend not to sometimes.

While critic scores on the review aggregator Rotten Tomatoes might not make particularly great reading for recent releases like “Brave New World” (51%), “The Marvels” (62%), and “Ant-Man and the Wasp: Quantumania” (46%), millions of moviegoers are still turning out to watch them, and many of the films are still turning out to be great earners for the House of Mouse. Bankrolling a movie with an unproven director, script, and characters feels risky in the current box office climate. Making Marvel movie number 36, 37, or 38? Probably a safe business bet, even if it won’t win you many Oscars.

More Culture

See all Culture
Millie Giles
SOUND FAMILIAR?
6/5/26
Kids these days are listening to more songs from the good old days

Music nostalgia is in full swing, and the younger listeners of today appear to be partying like it’s pre-1999.

Portable record player
culture
Saleah Blancaflor

Drake whiffs on an expected No. 1 on Spotify

Drake started at the bottom and he’s here, but not quite at the top... of Spotify, at least.

It’s been nearly three weeks since Drake dropped his three surprise albums — “Iceman,” “Habibti,” and “Maid of Honour.” Heading into the month, prediction markets were rating it a near certainty, a 98% chance, that Drake’s sonic onslaught was enough to snag the No. 1 slot on Spotify at least once in June.

But, while he surpassed the late Michael Jackson and took up three slots on the Billboard album chart at once, his newly released songs haven’t quite cracked the popular music-streaming platform’s top charts, and market seem to think the moment has passed.

Loading...
 

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

Loading...
 

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

Pokemon cards

GameStop’s collectibles business just keeps booming, as “Pokémon” cards continue to fly

Collectibles revenue grew 65% year over year in its latest quarter.

Max Knoblauch6/3/26
culture
Saleah Blancaflor

Will critics and audiences go out of this world for Steven Spielberg’s “Disclosure Day”?

Legendary director Steven Spielberg is back with his first film in four years.

While 2022’s Oscar-nominated “The Fabelmans” was a semi-autobiographical film, it looks like he’s back to his sci-fi roots with the upcoming release of Universal Pictures’ “Disclosure Day.”

The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Loading...
 

‘Disclosure Day’ First Reactions Call Steven Spielberg’s Sci-Fi Epic ‘His Best Film in 20 Years’ and Praise Emily Blunt’s ‘All-Time’ Performance

‘Disclosure Day’ First Reactions Call Steven Spielberg’s Sci-Fi Epic ‘His Best Film in 20 Years’ and Praise Emily Blunt’s ‘All-Time’ Performance

The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Loading...
 
Millie Giles
BLOCKS, BUSTED
6/3/26
Major movie franchise sequels might not be the safe bet they once were

With internet-born indie horrors storming past the latest “Star Wars” movie, it seems Hollywood’s winning formula might not always add up.

Athletics v San Diego Padres

Latest Stories

Sherwood Media, LLC and Chartr Limited produce fresh and unique perspectives on topical financial news and are fully owned subsidiaries of Robinhood Markets, Inc., and any views expressed here do not necessarily reflect the views of any other Robinhood affiliate, including Robinhood Markets, Inc., Robinhood Financial LLC, Robinhood Securities, LLC, Robinhood Crypto, LLC, Robinhood Money, LLC, Robinhood U.K. Ltd, Robinhood Derivatives, LLC, Robinhood Gold, LLC, Robinhood Asset Management, LLC, Robinhood Credit, Inc., Robinhood Ventures DE, LLC and, where applicable, its managed investment vehicles.
©2026 Sherwood Media, LLC