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Simpsons Movie still
Still from “The Simpsons Movie” (2007) (Everett Collection/Entertainment Weekly)

“The Simpsons Movie 2” set for release two decades after first film

For millions, the TV show’s golden era has long since passed.

In his silver screen debut back in July 2007, Homer Simpson told audiences: “I can’t believe we’re paying to see something we get on TV for free. If you ask me, everybody in this theater is a giant sucker...”

Now, the world’s most iconic TV cartoon is officially returning for a second movie spin-off — almost exactly 20 years after the original, with a premiere date set for July 2027. (Of course, this time around, frugal fans might be able to wait out the theatrical release for the flick to land on Disney+.)

And, in prophetic Simpsons fashion, it seems they’d already predicted the premiere date for the upcoming movie at the start of Season 19, immediately after the first film’s release:

Homercoming

As reported by Variety, the “Simpsons” sequel will take the place of an untitled Marvel installment in Disney’s 20th Century Studios’ slate.

Given the sheer volume of films and their impressive cultural heft, it does feel like the superhero franchise has been around for ages, but the first “Iron Man” movie only premiered in 2008 — one year after “The Simpsons Movie” hit screens, and about 19 years after the first episode of “The Simpsons” aired on TV.

Indeed, the yellow-tinted town of Springfield has been televised since 1989, making “The Simpsons” one of the longest-running TV series of all time. And, in the midst of its 37th season, with nearly 800 episodes to date, it’s still going... albeit with far fewer viewers than in its 1990s heyday.

Inspired by this “Simpsons” deep dive by Todd Schneider from 2016, and using ratings data collated on Wikipedia’s extensive list of the show’s episodes, it appears that viewership has been on a downward trajectory in the US. Only five episodes in the show’s history have topped approximately 30 million viewers — they all aired before 1991.

Some notable outliers could have more to do with timing than being timely: Episode 343, “Homer and Ned’s Hail Mary Pass,” which aired directly after Super Bowl XXXIX and starred Tom Brady and LeBron James, had a viewership of ~23 million, more than double the Season 16 average. Episode 451, “Once Upon A Time In Springfield,” meanwhile, followed a heated NFL playoff and saw a 106% viewership bump from the Season 21 average.

“Am I so out of touch? No, it’s the children who are wrong.”

While die-hard devotees of the earlier seasons are still lamenting the “Golden Age” of the show, the stark ratings decline may say less about the diminishing popularity of “The Simpsons” than the demise of cable TV more broadly.

Most TV shows don’t even make it to 100 episodes, and any series as prolific as “The Simpsons” would certainly have a chart with a very similar shape to it — we just don’t watch things like we used to. However, that doesn’t negate the fact that “The Simpsons” is also failing to break into the upper echelons of the streaming world.

Since Disney acquired the show’s long-term TV network, 21st Century Fox, in 2019, Disney+ has been the streaming home of “The Simpsons,” featuring episode sets and made-for-streaming specials — and, soon after debuting on the Fox Channel, new episodes of the upcoming season will also be released on the platform. Even so, while rival cartoons “Family Guy,” “South Park,” and “American Dad!” all broke Nielsen’s top 20 most streamed shows for the first half of 2025, the Simpson family was nowhere to be seen.

Still, if linear TV viewership continues slumping into 2027, capitalizing on the growing market for animated family-friendly movies could be a perfectly cromulent way for the franchise to recapture the “Bartmania” seen in decades past.

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Saleah Blancaflor

Drake whiffs on an expected No. 1 on Spotify

Drake started at the bottom and he’s here, but not quite at the top... of Spotify, at least.

It’s been nearly three weeks since Drake dropped his three surprise albums — “Iceman,” “Habibti,” and “Maid of Honour.” Heading into the month, prediction markets were rating it a near certainty, a 98% chance, that Drake’s sonic onslaught was enough to snag the No. 1 slot on Spotify at least once in June.

But, while he surpassed the late Michael Jackson and took up three slots on the Billboard album chart at once, his newly released songs haven’t quite cracked the popular music-streaming platform’s top charts, and market seem to think the moment has passed.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

Pokemon cards

GameStop’s collectibles business just keeps booming, as “Pokémon” cards continue to fly

Collectibles revenue grew 65% year over year in its latest quarter.

culture
Saleah Blancaflor

Will critics and audiences go out of this world for Steven Spielberg’s “Disclosure Day”?

Legendary director Steven Spielberg is back with his first film in four years.

While 2022s Oscar-nominated The Fabelmans was a semi-autobiographical film, it looks like hes back to his sci-fi roots with the upcoming release of Universal Pictures Disclosure Day.

The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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