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Popularity of podcasts chart
Sherwood News

Podcasts have become a huge part of the election cycle

Joe Rogan’s Trump interview has racked up 34 million YouTube views since Saturday.

Tom Jones

Thousands of Donald Trump supporters were left waiting at a rally in Michigan on Friday, after the Republican candidate rearranged his packed schedule to record a three-hour interview with Joe Rogan — a clear testament to the power of podcasting in this year’s election.

Though he’d previously ruled out hosting Trump on “The Joe Rogan Experience,” which currently counts just under 16 million global Spotify followers, Rogan — like many other podders this election cycle — opened his platform to the presidential candidate, covering topics from election fraud to environmental concerns across the interview. The episode has a good chance of becoming the most-watched video on the channel, having already racked up 34 million views in just three days. The current tally already puts the Trump episode in fourth place out of the 3,200+ videos that have propelled the JRE YouTube channel to more than 5.5 billion total views.

It’s not just Donald Trump sitting down for interviews with big names in the space like Rogan, Theo Von, and Logan Paul, either, with Kamala Harris appearing on Alex Cooper’s “Call Her Daddy” and hit podcast “All The Smoke” within the last month or so. Doing the rounds on popular podcasts has become an essential part of campaigning this year as the medium’s popularity continues to grow. A record 47% of Americans aged 12 and over reported listening to a podcast in the last month, per Edison Research’s annual The Infinite Dial report.

While Joe Rogan, who renewed his Spotify deal (minus the exclusivity clause) for an estimated $250 million earlier this year, is way out in front in terms of Spotify followers, Cooper’s “Call Her Daddy” boasts a not inconsiderable 4.3 million followers around the world, while Theo Von’s “This Past Weekend” counts 1.4 million.

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Drake whiffs on an expected No. 1 on Spotify

Drake started at the bottom and he’s here, but not quite at the top... of Spotify, at least.

It’s been nearly three weeks since Drake dropped his three surprise albums — “Iceman,” “Habibti,” and “Maid of Honour.” Heading into the month, prediction markets were rating it a near certainty, a 98% chance, that Drake’s sonic onslaught was enough to snag the No. 1 slot on Spotify at least once in June.

But, while he surpassed the late Michael Jackson and took up three slots on the Billboard album chart at once, his newly released songs haven’t quite cracked the popular music-streaming platform’s top charts, and market seem to think the moment has passed.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

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Will critics and audiences go out of this world for Steven Spielberg’s “Disclosure Day”?

Legendary director Steven Spielberg is back with his first film in four years.

While 2022’s Oscar-nominated “The Fabelmans” was a semi-autobiographical film, it looks like he’s back to his sci-fi roots with the upcoming release of Universal Pictures’ “Disclosure Day.”

The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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‘Disclosure Day’ First Reactions Call Steven Spielberg’s Sci-Fi Epic ‘His Best Film in 20 Years’ and Praise Emily Blunt’s ‘All-Time’ Performance

‘Disclosure Day’ First Reactions Call Steven Spielberg’s Sci-Fi Epic ‘His Best Film in 20 Years’ and Praise Emily Blunt’s ‘All-Time’ Performance

The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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Major movie franchise sequels might not be the safe bet they once were

With internet-born indie horrors storming past the latest “Star Wars” movie, it seems Hollywood’s winning formula might not always add up.

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