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Mariah Carey Performs During NBC's Pre-Tape Christmas Tree Lighting
(James Devaney/Getty Images)
DO YOU HEAR WHAT I HEAR?

Christmas is coming earlier and earlier for music streamers

Mariah Carey and co. are cashing in on “christmas creep.”

Millie Giles

There’s always debate about when Christmas festivities should begin, with the fatigue-conscious putting off partaking until at least December 1, while others hardly wait for the Halloween decor to come down before decking the halls.

Still, like it or lump it, you’ll probably hear some of the most instantly recognisable xylophone tinkles in music history even earlier this year.

I-I-I... get streamed a lot for Christmas

It seems that Mariah Carey is already defrosted for 2025: her classic hit “All I Want for Christmas Is You” has officially reentered the Billboard Hot 100 after accruing almost 10 million streams (up 252% week over week) from October 31 to November 6, per Luminate.

This marks one of the earliest points that the song, which is estimated to gross up to $4 million each year, has ever charted in the US, only achieving this milestone at the very end of November in 2023.

It’s not just Mariah, however — Spotify data, compiled by Kworb, shows that users are generally listening to the wider Yuletide genre earlier each year, and in greater quantities.

Xmas music streams
Sherwood News

Last year, “AIWFCIY” had its biggest week on Spotify in history, accruing nearly 93 million streams from December 19 through 26 — and more than 323 million across the whole festive season, after first breaking into Spotify’s Top 200 songs on the week of November 7. “Last Christmas” by Wham! notched 314 million total streams over the same nine weeks on Spotify last year, and has also already reentered the Billboard chart in 2025.

Compare this to 2013, when both of these songs entered the Top 200 just three weeks before Christmas, and it’s clear that the music-on-demand era brought about by streaming has been good news for merry megahits. Indeed, four other popular Christmas songs have similarly seen the weeks they spend on the Spotify chart expand over the past decade.

Yuletidal drift

With the collective streams across all six efforts growing about 22x in all, the trend patently has something to do with streaming’s swelling user base. But the “christmas creep” observed in previous years might now be coming earlier as many seek comfort at the end of a tumultuous 2025.

Unlike coniferous trees that can only sit in your living room for a finite time, Christmas music can be played again and again (as retail workers will attest). And, when festive tunes can be listened to on a convenient playlist, rather than be physically dug out of a CD rack or vinyl collection, the guilt of playing them in November seems to be fading fast — music to the ears of streaming giants like Spotify, which released its Holiday Collection a month earlier this year than in previous seasons.

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Saleah Blancaflor

Drake whiffs on an expected No. 1 on Spotify

Drake started at the bottom and he’s here, but not quite at the top... of Spotify, at least.

It’s been nearly three weeks since Drake dropped his three surprise albums — “Iceman,” “Habibti,” and “Maid of Honour.” Heading into the month, prediction markets were rating it a near certainty, a 98% chance, that Drake’s sonic onslaught was enough to snag the No. 1 slot on Spotify at least once in June.

But, while he surpassed the late Michael Jackson and took up three slots on the Billboard album chart at once, his newly released songs haven’t quite cracked the popular music-streaming platform’s top charts, and market seem to think the moment has passed.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

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(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

Spotify’s “Top Songs - Global” chart currently show that Jackson’s “Billie Jean,” which is more than four decades old, Justin Bieber’s “Beauty and a Beat,” which climbed back to the top of Spotify charts following his Coachella set in the spring, Olivia Rodrigo’s new angsty love song “The Cure,” and BTS’s “Swim” are all ahead of Drake’s “STFU Janice” from his “Iceman” album.

While Spotify previously reported last month that Drake’s “Make Them Cry” was the most streamed album in a single day this year, that was later revealed to be a data error.

Prediction markets currently show traders are betting there’s only a 15% chance Drake will have a No. 1 song on Spotify in June.

Meanwhile, Taylor Swift is in the lead at 98% — a day before the release of her new original song “I Knew It, I Knew You,” which she wrote and performed for Disney and Pixar’s upcoming “Toy Story 5” — followed by Olivia Rodrigo, whose highly anticipated album “You Seem Pretty Sad for a Girl So in Love” comes out next Friday.

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Saleah Blancaflor

Will critics and audiences go out of this world for Steven Spielberg’s “Disclosure Day”?

Legendary director Steven Spielberg is back with his first film in four years.

While 2022s Oscar-nominated The Fabelmans was a semi-autobiographical film, it looks like hes back to his sci-fi roots with the upcoming release of Universal Pictures Disclosure Day.

The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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The movie stars Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, and Colman Domingo, and follows a cybersecurity whistleblower (O’Connor) and meteorologist (Blunt) who work together to uncover government secrets and expose the truth about extraterrestrial life.

Some first reactions out of early screenings shared on social media have been praising the film so far. Germain Lussier, a senior entertainment reporter at Gizmodo, posted on X that the movie is Spielberg’s “best film in 20 years,” while many have praised Blunt’s performance as one of her best. Others have said it is reminiscent of the filmmaker’s other sci-fi classics like “Close Encounters of the Third Kind” and “E.T. the Extra-Terrestrial.”

To be considered “fresh,” movies have to receive at least 60% on Rotten Tomatoes. While the global embargo for formal reviews doesn’t lift until Tuesday, June 9, at 12 p.m. ET following more advance screenings in Los Angeles, New York, and other cities ahead of the June 12 release date, traders on prediction markets are currently betting there is a 68% chance that the movie will score above 85% on the site.

(Event contracts are offered through Robinhood Derivatives, LLC — probabilities referenced or sourced from KalshiEx LLC or ForecastEx LLC.)

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